opus 232 by Isaac Albéniz (1892-1898)
orchestration by Richard Rijnvos (2014)
3. Sous le Palmier
(Spanish: Cantos de España
= Songs of Spain) is a suite of originally three, later five pieces for the piano.
and Sous le Palmier
were published in 1892, whereas Córdoba
were added in the 1898 edition.
The orchestration by Richard Rijnvos is the very first orchestral arrangement of the piano suite in its entirety, respecting the original titles and order of movements.
The first movement is perhaps better known as Asturias
This title was invented by editor Hofmeister, two years after the composer's death, and as such it was incorporated into an extended version of the Suite Española
In hindsight, this new title is somewhat poorly chosen, as the southern Andalusian Flamenco rhythms of the piece do not reflect the northern Atlantic region of Asturias in any way.
However, Hofmeister's dubious violation is pretty much immortalized these days as numerous guitar arrangements of the Prélude
bear his spurious title.
The original piano score of Córdoba
contains the following note:
« En el silencio de la noche, que interrumpe el susurro de las brisas aromadas por los jazmines, suenan las guzlas acompañando las Serenatas y difundiendo en el aire melodías ardientes y notas tan dulces como los balanceos de las palmas en los altos cielos. »
(In the silence of the night, interrupted by the whisper of the jasmine scented breezes, the sound of the gusles accompanies the Serenades and spreads ardent melodies and notes as sweet as the swaying of palms in the high heavens).
photo: El Baile - Sevilla (1911-1919) mural painting by Joaquín Sorolla (1863-1923) Hispanic Society of America, New York City
orchestration dedicated to the memory of
3 & 4 November 2017
Ohio Theatre, Columbus, Ohio (USA)
Columbus Symphony Orchestra
Rossen Milanov (conductor)A
The evening ended with a new orchestration of Albeniz’s Chants d’Espagne. This orchestration is bright and welcoming, and although the work is substantial, it also seemed short. The famous Prélude and the Seguidillas were fiery bookends to the shimmering “Orientale,” charming Sous le Palmier and robust Córdoba. With so many enjoyable selections, it’s easy to see how Friday night’s concert may have inspired the soul.
Lynn Green, The Columbus Dispatch, 4 November 2017